'Perfume' book cover: development

Last week I submitted my entry for Penguin Design Award. The brief was to design a new cover for "Perfume" by Patrick Süskind. The project was a part of uni assignments, so I had a lot of time to test and experiment with different concepts for the cover.

My initial idea was to focus on the concept of smell and try to express it typographically, adding a subtle image of a woman's body. This is my first sketch and a rough visual:

Then, after talking to my tutors I decided to use typography as main element, but make it more experimental. I used meat to highlight the dark and murder side of the story. I wanted the lettering to look nice at first sight, but then after inspection the viewer can see it's made of meat. These are my two tests of meat calligraphy (front & spine):

Cutting pork loin and bacon to create letters felt a bit weird...

Next stage was etching tests, to see results go to my previous post: http://patrycjazywert.blogspot.com/2010/04/etching.html.

Then, I decided to use hair as a theme for the cover. This is first sketch:

Then I thought I could use real hair. So, I had fun times putting my head on a scanner and trying to reach the keyboard :) This is my real hair version:

I'll publish the final entry for Penguin competition in my next post.

Etching

Just before Easter break we had two introduction to etching classes at uni. This was first time I was doing etching and wanted to see how it works with typographic image. I took one of the designs from the project that I was working on at that time. It's the lettering for Patrick Süskind's "Perfume" cover (Penguin Design Award). This is the original image, a hand drawn lettering that I used for my etching:

The lettering is very detailed, I wasn't sure how this would work with soft-ground etching:

I did soft-ground first:

And then hard ground (swirls and ornaments):

And after that, I added tones using aquatint. I did two prints with different amount of ink on the plate:

I didn't know how this would come out and each print was a surprise. But this was all about just learning the techniques and I really enjoyed it! Here are the shots from the making of and the plate:

I found it very interesting, but didn't use any of these for the final version of the cover. Anyway, definitely want to play with etching again!

Typographic Trees

I've visited Brit Insurance Designs of the Year 2010 at Design Museum recently. The exhibition is excellent, but there was one piece that drew my attention particularly- Typographic Trees by Gordan Young and Why Not Associates.

Here is the explanation of the project:

"When artist Gordon Young was asked by architects Penoyre and Prasard to design a site-specific work of art for their new library in Crawley, West Sussex, he suggested a ‘forest’ of typographic oak columns installed floor to ceiling like supporting pillars.

Fellow artist Anna Sandberg held workshops with library users, to gather information on people’s favourite books, places and memories. Young then worked with typographers Why Not Associates to design columns from this user-generated content. Each of the 14 solid oak ‘trees’ reflects a different subject – from the opening line of the first Harry Potter novel to the gothic text of Bram Stoker’s Dracula.

The final designs were sandblasted into green unseasoned oak by long time collaborator Russell Coleman. This material – with all its cracks and shakes – was deliberately chosen to contrast with the perfection of the new building’s interior. Finally, the finished columns were installed in relevant specific locations throughout the library." (http://www.designsoftheyear.com/2010/02/14/gordan-young-and-why-not-associates-typographic-trees-crawley-library-uk/#more-2602)

I really like this concept and I think typographic trees look amazing! Here are some photos I took:

Pick Me Up

I went to Pick Me Up exhibition at London's Somerset House yesterday. The fair brings together different graphic artists working today, ranging from well-known designers and illustrators to emerging talents in the industry. It's the first contemporary graphic art fair in the UK. Well worth visiting - lots of interesting stuff to see, buy and do! Apart from the exhibition part, there are some events and activities. Here are some shots from the fair:

See more photos from Pick Me Up on my Flickr page.

B for Alphabattle

It's time to catch up with Alphabattle project!

So, here is my letter B submission and some of the sketches as well:

Share Your Work!

Go to http://www.sharesomecandy.com/ to show your work!

(by ShareSomeCandy)

Typographic tattoo

A few days ago I was asked to create a simple Roman style lettering saying Carpe Noctem ("seize the night"). It was for a friend who was going to get this as a tattoo the next day. So I started quick sketches with slightly different styles, making them simple and a bit ornamental. Here is what I designed in my sketchbook:

This is the choice of designs I offered:

And the final version he chose:

That was a quick project! It was nice to see my lettering in the sketchbook, then in Illustrator and the next day - on the skin :)

And here is the actual tattoo!

Hope you enjoy wearing it Ross! ;)