Showing posts with label print. Show all posts
Showing posts with label print. Show all posts

Sunday, 13 March 2011

Graduation Projects 2009/2010


It's a review of Graduation Projects from the Czech Republic, Poland and Slovakia. The review runs annually for last nine years and since 2005 it's accompanied by an exhibition of the chosen projects. 
I submitted on of my Final Projects (Mr. Foster) and it got accepted! 
Here are the results of this year's edition and more details about the review (looks like there is no English version unfortunately).
Yesterday I received a copy of the catalogue, I took a few shots of the spread featuring my project.

Monday, 31 January 2011

Letterpress card


A little letterpress inspiration for today: a lovely card I got at Reverting To Type exhibition (see my previous post). It's printed on a metallic paper, unfortunately the photo doesn't show that nice shine which goes really well with those bits of dried ink. Not sure who is the author of this one, but it's a really beautiful piece of letterpress print!

Sunday, 30 January 2011

Reverting To Type


Last weekend I visited Reverting To Type exhibition which showcased posters from different letterpress practitioners around the world. It was held in Standpoint Gallery, London (it's finished now, but click here for more info about the participants). I absolutely loved the exhibition, it was a great source of letterpress inspiration. I wish could head to some letterpress workshop soon! Here are some of my favourite bits:
















Thursday, 8 July 2010

'How much does your building weigh, Mr. Foster?'






And the second of my final projects, a typographic installation and
a poster inspired by Norman Foster. More details here:


Monday, 26 April 2010

Etching

Just before Easter break we had two introduction to etching classes at uni. This was first time I was doing etching and wanted to see how it works with typographic image. I took one of the designs from the project that I was working on at that time. It's the lettering for Patrick Süskind's "Perfume" cover (Penguin Design Award). This is the original image, a hand drawn lettering that I used for my etching:


The lettering is very detailed, I wasn't sure how this would work with soft-ground etching:



I did soft-ground first:


And then hard ground (swirls and ornaments):


And after that, I added tones using aquatint. I did two prints with different amount of ink on the plate:



I didn't know how this would come out and each print was a surprise. But this was all about just learning the techniques and I really enjoyed it! Here are the shots from the making of and the plate:



I found it very interesting, but didn't use any of these for the final version of the cover. Anyway, definitely want to play with etching again!

Sunday, 21 February 2010

In Other Words

Self-written project















Outline


Textspeak is destroying the language. Some of the abbreviations are overused and have become meaningless. This seems to make communication pointless, shallow, mundane and flat. And this makes people become lazy about the proper use of the language. Also, it is scary when we look at teenagers and kids who are exposed to textspeak from early ages and start having problems with proper language.


Another point is that more and more people use textspeak abbreviations in real life communication. Saying “LOL” instead of actually laughing is ridiculous. Have sincerity and real expression of emotions been lost? If this does not change we might become ‘textspeak zombies’ soon.



Brief


We want to make people see how limiting the textspeak is. We will try to express that in a series of posters encouraging people to use their actual language and a palette of words instead of just shouting “LOL” or “OMG”. We want to suggest that it can be a good idea to stop LOL-ing and start articulating emotions in a more human way.



Outcome


A series of four posters on four selected abbreviations: LOL, OMG, BTW and IMO. Each one of these contains a selection of words to use instead of textspeak. By leaving a blank space in the shape of textspeak words we want to highlight that when we take them out of the language, there are plenty of more interesting and suitable words and phrases left around.


The posters are silk-screen printed and letter pressed to show the beauty of pure and ‘analogue’ language (as opposed to digital). Textspeak abbreviations are kept in digital/pixel style font and all the words around are made of wood type fonts and therefore look more traditional. Our lives are becoming digital yet traditional ways seem to always work well and appear more human.


Posters are folded into booklets and put together in a package to create a complete unit. Booklet format makes the form of posters more practical. It is easier to use them when they all fit into A5 ‘envelope’.





































Wednesday, 17 February 2010

My Manifesto featured in a design magazine



















My MANIFESTO was featured in 31 January 2010 issue of Turkish newspaper's monthly design supplement.
This a scan I got from the author of this article. It will be published in pdf version on the magazine's website soon. Unfortunately I don't understand Turkish. But the lady who wrote it said it was about different kind of design manifestos, starting from the Futurist Manifesto and ending with today's contemporary manifesto projects.

Sending my Manifesto!












































First copy of my manifesto posters ready to pack! These photos were taken two weeks ago so hopefully they arrive safely soon.

Tuesday, 26 January 2010

This is my Good Design Manifesto project









It's a list of 9 things I think good design is about/involves. Each letter of the word MANIFESTO is formed from one short sentence. Letterpress, wood type.


 
Free Hit Counter